Kun Lun.

December 31, 2009

Still working on my notes on Kun Lun; 2 unconnected sets, one focusing on Daoist Kun Lun and the other, Hakka Kun Lun Pai.

Maybe I should just scan and upload those notes, some of you might be able to make some sense of the “classical” Mandarin used in description but with my moving (yes it is not over), I am lucky to still have my internet connection…..now where is my scanner, which box???

And I was told that they need 7 days to transfer my phone line and internet connection to my new address …… aaarrrrrggghhhh …… 7 days!!! I thought “IT” is all about SPEED!!!

Anyway, here is a short clip showing a couple of Kun Lun techniques. I think this is Daoist Kun Lun.

But I could be completely wrong …… hahahaha…..

Still, very Taiji-ish …. Enjoy…..

The bigger picture.

December 21, 2009

Back to the topic of forms, principles and concepts …..

I’m sure there are those out there who think that I am overstating this whole issue; fighting is fighting and all you need to bother with is techniques.

Martial arts training are learning to counter punches, kicks, grapplings and someone wielding a weapon and so on and so forth…..

Well, if that is your sum total of experience and knowledge then I got to say that you got a long, a very long, journey ahead of you.

Could also probably explain why there are those who feel that “forms” are superfluous… to them these are nothing more than many techniques done in succession, so what is the point?

Might as well do technique singly and do away with all the ceremonial movements and postures that are from an “alien” culture in the first place; hey who cares about overthrowing the Ching to restore the Ming right? Why bother to do techniques thrice, what has the 5 elements got to do with fighting and who care about the red boats …and so on.

I really don’t know which is true, that these learning folks did not attain that level or the person teaching them doesn’t have it either.

Most CKF systems begin with a concept; it could be to reproduce the ferocity of a devouring tiger or the unfathomable power generation of a bird as big as a crane to enable taking off into the air.

So when I say implanted in forms are concepts and principles, this is what I am trying to explain; many of the “techniques” are not “fight” techniques per se.

They could be there for you to train for the power you need to make your other techniques more efficient or learn to breathe and move to enhance power and speed.

This is the part of my Kung Fu research that makes it fun; looking into the “DNA” so to speak from the founder.

A family could be real old and extended but the DNA should remain the same even if it crosses mountains and oceans.

Earlier on when I spoke broadly about “flavor” distinctiveness, this is precisely what I am getting at.

If you been around TCMA long enough, you’ll know. Every style has its own “personality” that is expressed, some in a very noticeable way and others, only seen by trained eyes. Regardless, its there just like I remember a study done many years in Singapore by some language department from a local university there.

The purpose was to compile and study how different dialect speaker pronounce Mandarin in their own “special” way. I was curious and later found out that to the experts, they could tell your dialect group by the way you speak Mandarin; something that I thought was far-fetched.

Now years on and more traveled, I am beginning to see the truth in that premise.

Got a CCTV documentary here to share with all of you; “sifuwu” extracted some of the forms from this documentary and uploaded them onto youtube as “Hequan” or “Crane Fist”.

Personally I think for those of you, who understand Mandarin, you really ought to watch the whole episode.

Apart from history, relationship to Southern Shaolin, this is by far the best documentary about elemental principles and concepts of Fukien White Crane to have crossed my path.……….

And hey, if you listen to one of the Sifus in the clip, you’ll hear him pronounce “quan” as “qun” …..

Guess what is his dialect?

More than the eyes can see.

December 19, 2009

If your opinion of forms is nothing more than techniques stringed together like a techniques cache, you’re not wrong.

On the other hand, you are not 100 percent right either …..

Forms exist for many objectives besides the obvious.

Using my Fuzhou Cranes as reference, forms are there to teach you principles and concepts first gestated by the founder.

The principles/concepts could be fighting stratagems, power generations and flows etc etc…techniques are products of these.

In Fuzhou Crane we are taught 12 main principles and the 12 forms taught focus on these core principles; there could be overlapping in some forms but the format is to cover at least one per form.

And every form is supplemented by the “kuit” or “poem” which facilitates the comprehension of the purpose of the form.

One of our form trains you to move into the fourth gate the moment your opponent advances and if you were to interpret the form the conventional way, it makes no sense.

Every technique in that form is executed from both the inner or outer fourth gate position and this becomes very apparent when you move on to the 2 man drill after learning the solo form.

Many traditional teachers are careful with whom they pass these knowledge to and even within the same school, not all receive the same knowledge.

I know I know, some of you are thinking that this is a very archaic and outmoded way of teaching but when it comes to teaching knowledge that could harm limbs or lives; you want to be really cautious.

Got a clip here for you and I think this is from Fuqing Shaking Crane.

Look at some of the movements in the form; they don’t look like “fight” techniques right?

But after spending so long a time in the Crane arts, I will tell you that they are there to train some qualities that only an insider would understand.


10 Big Animals.

December 18, 2009

A glimpse into fighting concepts of XinyiLiuHe Quan, the style that is often linked to the Moslems in China; in the clip you’ll see some applications from their “10 Big Animals Form”.

From Wiki :-

Xinyiliuhequan (Chinese: 心意六合拳 – “Mind, Intention and Six Harmonies Fist”) is a martial art that developed in Henan Province among theHui people. It is considered one of the most powerful and fighting-oriented styles of Chinese Martial Arts and for a long time it has been known for its effectiveness in fighting, while very few actually knew the practice methods of the style. Xinyiliuhequan, along withZhaquan and Qishiquan (Boxing of Seven Postures), have been considered Jiaomenquan (Chinese: 教門拳, “religious – i.e. Muslim – boxing”) meant to protect followers of Islam in China.

Although practiced and preserved by the Chinese Muslim community in Henan, the style is recognized to be originated by Ji Longfeng (also known as Ji Jike ) of Shanxi province. The Shanxi transmission of this art is carried by the Dai family and transmitted to Li Luoneng, who modified the style more or less into the modern Xingyi practiced widely in Shanxi and Hebei. Since the Dai style Xinyi contains practice originated from the Dai family, the transmission within the Muslim community is considered the most conserved lineage.

Xinyiliuhequan’s practice methods are not numerous compared to other styles, and include ten big shapes (Chinese: 十大形), four seizes (Chinese: 四把), single seize (Chinese: 單把), and so on. The style favors close-range tactics, such as shoulder strikes.

For more than two centuries the style had been kept secret and transmitted only to very few Muslim practitioners. Only at the beginning of this century Han Chinese began to learn the style, but even today, many of the most skillful experts of Xinyiliuhequan can be found within Huicommunities in China, especially in Henan Province. In modern times, however, the style has been transmitted to Han Chinese as well, especially in Shanghai through Lu Songgao. The style is considered to have two main branches, the Lushan style and the Luoyang style; the latter style is still comparatively rare outside of Hui communities. [4]