10 Big Animals.

December 18, 2009

A glimpse into fighting concepts of XinyiLiuHe Quan, the style that is often linked to the Moslems in China; in the clip you’ll see some applications from their “10 Big Animals Form”.

From Wiki :-

Xinyiliuhequan (Chinese: 心意六合拳 – “Mind, Intention and Six Harmonies Fist”) is a martial art that developed in Henan Province among theHui people. It is considered one of the most powerful and fighting-oriented styles of Chinese Martial Arts and for a long time it has been known for its effectiveness in fighting, while very few actually knew the practice methods of the style. Xinyiliuhequan, along withZhaquan and Qishiquan (Boxing of Seven Postures), have been considered Jiaomenquan (Chinese: 教門拳, “religious – i.e. Muslim – boxing”) meant to protect followers of Islam in China.

Although practiced and preserved by the Chinese Muslim community in Henan, the style is recognized to be originated by Ji Longfeng (also known as Ji Jike ) of Shanxi province. The Shanxi transmission of this art is carried by the Dai family and transmitted to Li Luoneng, who modified the style more or less into the modern Xingyi practiced widely in Shanxi and Hebei. Since the Dai style Xinyi contains practice originated from the Dai family, the transmission within the Muslim community is considered the most conserved lineage.

Xinyiliuhequan’s practice methods are not numerous compared to other styles, and include ten big shapes (Chinese: 十大形), four seizes (Chinese: 四把), single seize (Chinese: 單把), and so on. The style favors close-range tactics, such as shoulder strikes.

For more than two centuries the style had been kept secret and transmitted only to very few Muslim practitioners. Only at the beginning of this century Han Chinese began to learn the style, but even today, many of the most skillful experts of Xinyiliuhequan can be found within Huicommunities in China, especially in Henan Province. In modern times, however, the style has been transmitted to Han Chinese as well, especially in Shanghai through Lu Songgao. The style is considered to have two main branches, the Lushan style and the Luoyang style; the latter style is still comparatively rare outside of Hui communities. [4]

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